List of Shows
Any source material that is not public domain requires permission to arrange.
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(level of difficulty key: A=Advanced, MA=Medium-Advanced, M=Medium)
Public Domain, Collegiate, Parade Tunes
Inspired by Gustav Holst’s “The Planets” and Carol Brittin Chambers’ “Celestial Voyage” [No Extra Licensing]
Inspired by Borodin’s “Polovetsian Dances,” Stravinsky’s “Firebird Suite,” and Carol Brittin Chambers’ “Fire Within” [No Extra Licensing]
nspired by the music of Percy Grainger and Carol Brittin Chambers [Minimal Licensing]
Inspired by Dvorak’s “New World Symphony” and Carol Brittin Chambers’ “Endeavor” [No Extra Licensing]
Inspired by Carol Brittin Chambers’ “Slide” [No Extra Licensing]
Inspired by Tchaikovsky’s “Romeo and Juliet Overture-Fantasia,” “Symphony No. 2,” “Symphony No. 4,” “Swan Lake,” “The Tempest,” “Symphony No. 5,” and Carol Brittin Chambers’ “Tempest” [No Extra Licensing]
Inspired by "We Go Together" (from Grease), "One" (from Chorus Line), and "Another Day of Sun" (from La La Land)
Inspired by "Jump in the Line," "Banana Boat," "Hips Don't Lie," and "Tico Tico" (Includes Parts for Steel Drum Band)
Inspired by "Pokemon Theme," "Meet the Flintstones," "Theme from the Simpsons," "Theme from Family Guy," Justin Timberlake's "Can't Stop the Feeling," and "Looney Tunes Theme"
Inspired by “Joy To the World,” “Santa Claus is Coming to Town,” “Let it Go,” and “Angels We Have Heard on High”
Inspired by Bach’s “Toccata and Fugue in D Minor,” plus themes from “The Addams Family,” “Ghostbusters,” and “Thriller”
by Lionel Richie
by Justin Timberlake
lyrics by June Hershey and music by Don Swander
by Gloria Estefan
by John Rutter
by John Philip Sousa
New Shows (2023, 2024)
Inspired by Dukas’ "Sorcerer’s Apprentice," Debussy's "Suite Bergamasque: IV Passepied," Whitacres’ "Equus," Heap’s "Hide and Seek," Snarky Puppy’s “Shofukan," Berlioz’s “Symphonie Fantastique,” “I Put a Spell on You,” and Carol Brittin Chambers' "Altered Reality"
Inspired by Bareilles’ "Kaleidoscope Heart," Whitacre’s "Noisy Wheels of Joy," Costello’s “Puck One,” Lennon’s “Watching the Wheels,” Turull’s "Zambra," and Carol Brittin Chambers' "BeSPOKE"
Inspired by Bergersen’s "Deliverance," George’s "Firefly," Yagisawa’s “Hymn to the Sun with the Beat of the Mother Earth," and Carol Brittin Chambers' "Bioluminescence"
Inspired by Danielpour's “Celestial Night,” Rachmaninoff’s "Symphony No. 2 Op. 27 III,” and Carol Brittin Chambers’ “Celestial"
Inspired by "Somewhere Over the Rainbow," Torke’s "Green," "Somewhere Out There," Daugherty’s "Red Cape Tango," Coldplay’s "Yellow," Ticheli’s “Blue Shades,” and Carol Brittin Chambers' "Color of Sound”"
Inspired by Tin’s "Temen Oblak," Melillo’s "Without Warning, Perri’s " Jar of Hearts," and Carol Brittin Chambers' "Singularity"
Inspired by Ori’s "Black Book," Gillingham’s "Heroes, Lost and Fallen, Hanson’s "For the First Time," “Feed the Birds," Melillo’s "Godspeed," and Carol Brittin Chambers' "Distant Voices"
Inspired by Mahler’s “Symphony No. 2,” Barber’s “Violin Concerto Op. 14, III,” James Horner’s “All Love Can Be,” and Carol Brittin Chambers’ “Elysium”
Inspired by Adele’s "Set Fire to the Rain," Mackey’s "Kingfishers Catch Fire," Foreigner’s “Cold as Ice," "Let it Go" from “Frozen,” and Carol Brittin Chambers' "Fire and Ice"
Inspired by Peterson's “Promise of Dawn,” McNeely's “Iron Will Main Title,” “Banana Boat Song” and Chambers’ “Flamingo-lypso,” Bergersen’s “Love Suite,” “Swan Lake,” “Firebird Suite,” and Lynrd Skynrd’s “Free Bird"
Inspired by Respighi’s "Belkis, Queen of Sheba," Holkenborg’s "Let Them Up," Rimsky-Korsakov’s "Scheherazade," Newman’s "Cathedral (from Road to Perdition)," Kansas’ "Magnum Opus," Mahler’s “Symphony No. 6 in A Minor,” and Carol Brittin Chambers' "Fury Road"
Inspired by "Tron Legacy (End Titles)," Adams’ "The Chairman Dances," Graham’s "The Red Machine," Radiohead’s "Everything in its Right Place," Pentatonix’s,"Run to You,” Son Lux’s “Lost it to Trying,” and Carol Brittin Chambers' "The Future is Now"
Inspired by Max Richter's “Spring 1,” Torke's “Green,” Gregson-Williams’ “Smiling,” JVKE’s “Golden Hour,” and Carol Brittin Chambers’ “Golden"
Inspired by Torke’s "Bright Blue Music," Beethoven’s "Symphony No. 3," Brubeck’s “Blue Rondo a La Turk," “What a Wonderful World,” Zimmer’s "Time (from Inception)," Giannini’s “Symphony No. 3 for Band,” and Carol Brittin Chambers' "Impulso"
Inspired by Sting’s "Every Little Thing She Does is Magic," Bartok’s "Concerto for Orchestra SZ116," Seal’s "Kiss from a Rose," "The Dragon Boy," Boysen’s “Kinetic Energy,” and Carol Brittin Chambers' "Jade”
Inspired by Carol Brittin Chambers’ "Sunchaser," Bruckner’s "Symphony No. 8," Metheny’s “Heat of the Day,” Soundgarden’s "Black Hole Sun," Withers’ “Ain’t No Sunshine,” Rew’s “Walking on Sunshine,” Haydn’s “Sunrise Quartet,” and Stravinsky’s “Firebird”
Inspired by Elgar’s "Enigma Variations," Orzabal’s "Mad World," and Carol Brittin Chambers' "We’re All Mad Here"
Inspired by Carol Brittin Chambers’ "Fearless," "Slide," and "Move the Needle"
Inspired by The Staves' “All My Life,” from Hook: "Prologue” and “The Lost Boy Chase,” Patti Griffin’s “Peter Pan,” Metallica’s “Enter Sandman,” “Second Star to the Right,” and Carol Brittin Chambers’ “Neverland"
Inspired by Bjork’s "107 Steps," Copley’s "Dope," Radiohead’s “Creep,” Elfman’s “The Fly,” Nelson’s “Rocky Point Holiday,” and Carol Brittin Chambers' "Out of Place"
Inspired by Audiomachine’s "So Say We All," "19 Hands," “Balance Problems,” Arvo Part’s “Spiegel im Spiegel,” Terje’s “Alfonso Muskedunder,” and Carol Brittin Chambers' "Pixelated"
Inspired by The Weeknd's “Nothing is Lost,” Debussy’s “La Mer,” “Aquarium (from Carnival of the Animals),” Timberlake’s “Blue Ocean Floor,” Silvestri’s “Bud on the Ledge,” and Carol Brittin Chambers’ “Seascapes"
Inspired by "Medusa - The Gorgon," Berlioz’s "Romeo and Juliet," Wintory’s “Road of Trials,” Hayashi’s “Moonlit Night,” Hanson’s "Destiny of the Chosen,” and Carol Brittin Chambers' "Set in Stone”"
Inspired by David Bowie’s “Life on Mars,” “Space Oddity,” “Blackstar,” and “Changes,” Holst’s “The Planets,” Glass’ “Symphony No. 4," and Carol Brittin Chambers’ “Stardust"
Inspired by Zimmer's “Interstellar,” Bowie’s “Space Oddity,” Mancini’s “Moon River,” Eshkeri’s “Septimus,” “Surfin’ USA,” “Rocket Man,” and Carol Brittin Chambers’ “Starsurfer"
Inspired by Ravel's “Bolero,” Hindemith’s “Symphonic Metamorphoses II: Turandot,” Muse’s “Hoodoo,” Piazzolla’s “Libertango,” Marquez’s “Danzon No. 2,” and Carol Brittin Chambers’ “UnRAVELing"
Inspired by Danny Elfman's “Wednesday Main Titles” and “Frolic (from Rabbitt and Rogue),” Rolling Stone’s “Paint it Black,” and Lippa’s “Tango De Amor” and “Move Toward the Darkness"
Past Shows A-L
Inspired by Richter's "Spring 1," Melillo's "Without Warning," "Down in the River to Pray," Mackey's "Kingfishers Catch Fire," "O, Waly, Waly," and Carol Brittin Chambers' "Adrift"
Inspired by Tchaikovsky's "1812 Overture," Johnny Richards' "Adventures in Time," Holst's "The Planets," and Carol Brittin Chambers' "2181"
Inspired by “Simple Gifts,” “Take Me Out to the Ballgame,” “The Star-Spangled Banner,” Schulze’s “Shades of Glass,” Beal’s “Alone in a Crowd,” Kamen’s “Band of Brothers,” Holsinger’s “American Faces,” and Carol Brittin Chambers’ “America’s Pastime”
Inspired by "One Way or Another," "Mission Impossible," Heap's "Ah Ha!" Nelson's "Stolen Moments," "Sinner Man," and Carol Brittin Chambers' "Combination"
Inspired by Morton Gould's “American Salute," Bolcom's "Machine," Reed's "La Fiesta Mexicana: Mass," Moren's "Dreams," and Carol Brittin Chambers’ “When Johnny Comes Marching Home”
Inspired by Carol Brittin Chambers' "Renaissance Dances," Beethoven's "Symphony No. 3," Debussy's "Clair de Lune," Newman's "Blow it Up, Start Again," and Kernis' "New Era Dance"
Inspired by Silvestri's “The Walk,” Howard's "Hand of Fate - Part 1," Yagisawa's "Hymn to the Sun with the Beat of the Mother Earth," and Carol Brittin Chambers’ "Ascend”
Inspired by Dvorak’s “New World Symphony,” Barber’s “Sym. No. 1, Op. 9, Andante Tranquillo,” Zimmer’s “160 BPM,” Schwantner’s “From a Dark Millennium,” Kelly Clarkson’s “Stronger,” and Carol Brittin Chambers’ “Atlas”
Inspired by John Mackey’s “Aurora Awakes,” “Kingfishers Catch Fire,” “Turbine,” and Carol Brittin Chambers’ “Illumination”
Inspired by Tchaikovsky’s “The Sleeping Beauty” Ballet, Nowels and Grant’s “Young and Beautiful,” Fain and Lawrence’s “Once Upon a Dream,” Maslanka’s “Symphony No. 4,” and Carol Brittin Chambers’ “Awakening”
Inspired by James Newton Howard’s “Hunger Games: Rue’s Farewell,” Shostakovich’s “Piano Concerto No. 2,” Sara Bareilles’ “Gravity,” Elliot Goldenthal’s “Fire, Paper, Water: Scherzo,” and Carol Brittin Chambers’ “Back to You”
Inspired by Robert W. Smith's "Ascension," Imogen Heaps' "Have You Got It In You," The Beatles' "Let it Be," Journey's "Don't Stop Believin'," and Carol Brittin Chambers' "Believe"
Inspired by Giannini’s “Symphony No. 3 for Band, Mvt. 4,” Stravinsky’s “Rite of Spring,” Jutras’ “Journey of Man,” Holst’s “Jupiter” from “The Planets,” and Carol Brittin Chambers’ “Beyond the Spectrum”
Inspired by Piazzolla’s “Libertango,” Prokofiev’s “Romeo and Juliet,” Tchaikovsky’s “Romeo and Juliet, Fantasy Overture,” Stevenson’s “Last Rose of Summer,” Poison’s “Every Rose Has Its Thorn,” Seal’s “Kiss From a Rose,” Sting’s “Desert Rose,” and Carol Brittin Chambers’ “The Rose”
Inspired by David Gillingham’s “Council Oak,” Aaron Copland’s “Symphony No. 3,” Bjork’s “New World” from “Selmasongs,” and Jay Bocook’s “The Garden”
Inspired by "Rhapsody in Blue," Torke's "Bright Blue," "Blue Rondo a la Turk," "Blue Danube," "Blues Skies," "I Guess That's Why They Call It the Blues," Mackey's "Hymn To a Blue Hour," and Carol Brittin Chamber's "Blue Print"
Inspired by Sondheim's "Sweeney Todd: Opening Titles," "Liberi Fatali" (from "Final Fantasy VIII), Elgar's "Nimrod" from "Enigma Variations," Whitacre's "Fly to Paradise," and Carol Brittin Chambers’ “To Create a Voice"
Inspired by "We Go Together" (from Grease), "One" (from Chorus Line), and "Another Day of Sun" (from La La Land)
Inspired by Puccini’s “Madama Butterfly,” Charles Stanford’s “The Blue Bird,” Steven Bryant’s “Hummingbrrd,” Stravinsky’s “Firebird Suite,” and Carol Brittin Chambers’ “The Brrdz”
Inspired by Donna Summers’ “She Works Hard for the Money,” Anderson’s “The Typewriter,” Bareilles’ “She Used To Be Mine,” Beyonce’s “Run the World (Girls),” Redding’s “Respect,” Sampson’s “Moving Parts,” Platten’s “Fight Song,” and Carol Brittin Chambers’ “Business as Usual”
Inspired by "Jump in the Line," "Banana Boat," "Hips Don't Lie," and "Tico Tico" (Includes Parts for Steel Drum Band)
Inspired by Carol Brittin Chambers’ “Capture & Escape” and Imogen Heap’s “Hide and Seek”
Inspired by Bizet's "Carmen," James Brown's "It's A Man's World," The Cars' "Drive," and Carol Brittin Chambers' "CarMAN"
Inspired by Wagner’s “Der Ring des Nibelungen,” Von Suppe’s “Dies Irae,” Beethoven’s “Sym. No. 7,” Rolling Stones’ “Paint it Black,” St. Saens’ “Benedictus,” and Chambers’ “Carpe Nocturne” [Minimal Licensing]
Inspired by "Pokemon Theme," "Meet the Flintstones," "Theme from the Simpsons," "Theme from Family Guy," Justin Timberlake's "Can't Stop the Feeling," and "Looney Tunes Theme"
AUDIO COMING SOON
Inspired by "In Paradisum," "Wagner's "Elsa's Procession to the Cathedral," Ticheli's "Angels in the Architecture," Beal's "After: Main Theme," and Carol Brittin Chambers’ “Guardian” and "Cathedrals"
Inspired by Danielpour's “Celestial Night,” Rachmaninoff’s "Symphony No. 2 Op. 27 III,” and Carol Brittin Chambers’ “Celestial"
Inspired by Gustav Holst’s “The Planets” and Carol Brittin Chambers’ “Celestial Voyage” [No Extra Licensing]
Inspired by Gustav Holst’s “The Planets,” Coldplay’s “A Sky Full of Stars,” Giacchino’s “There’s No Place Like Home,” and Carol Brittin Chambers’ “Celestial Voyage”
Inspired by Whitacre’s “Fly to Paradise,” Hindemith’s “Symphonic Metamorphosis,” Torke’s “Bright Blue Music,” Hancock’s “Chameleon,” Beethoven’s “Symphony No. 3,” and Carol Brittin Chambers’ “Chameleon”
Inspired by Regina Spektor's "Apres-Moi," Paul Lovatt-Cooper's "Walking With Heroes" and "Horizons," David Bowie's "Changes," Peter Gabriel's "Mirrorball," and Carol Brittin Chambers' "Change, the Only Constant"
Inspired by “Joy To the World,” “Santa Claus is Coming to Town,” “Let it Go,” and “Angels We Have Heard on High”
Inspired by “This Land (from The Lion King),” Lundeberg’s “Puma,” John Lennon’s “Imagine,”
Elton John’s “The Circle of Life” and “I Just Can’t Wait To Be King,” Metheny’s “The First Circle,”
and Carol Brittin Chambers’ “Full Circle” AUDIO COMING SOON
LINKS to Claudia Taylor Johnson HS - #1, #2
Inspired by Gandalf’s “In the Presence of Angels,” Borodin’s “Polovetsian Dances,” Bliss’ “A Hundred Thousand Angels,” Ticheli’s “Angels in the Architecture,” and Carol Brittin Chambers’ “Conflicted”
Inspired by Hans Zimmer's "160 BPM," Simon and Garfunkel's "Bridge Over Troubled Water," "Waving Through a Window (from 'Dear Evan Hansen')," and Carol Brittin Chambers' "ConnectUS"
Inspired by "The X Files Theme," Strauss' "Also Sprach Zarathustra," Dvorak's "New World Symphony," Hanson's "Symphony No. 2, Op. 30," Graham's "Journey to the Centre of the Earth," and Carol Brittin Chambers' "ContaXt"
Inspired by Rachmaninoff's "Morceaux de Fantasie," Berlioz's "Symphonie Fantastique," "End Credits from Coraline," Alanis Morissette's "Uninvited," Stravinsky's "Rite of Spring," and Carol Brittin Chambers' "Shining" and "Ritual"
Inspired by Celine Dion's "A New Day Has Come," Dvorak's " New World Symphony," and Carol Brittin Chambers' "Sunchaser"
Inspired by "Sinner Man," "La Copa De La Vida," "La Cucaracha," Gillingham's "Heroes, Lost and Fallen," and Carol Brittin Chambers' "Dia de Los Muertos"
Inspired by John Powell’s “Fun Food Storm,” John Adams’ “Harmonium,” and Eric Whitacre’s “October”
Inspired by LaBarr’s “Grace Before Sleep,” Del Borgo’s “Do Not Go Gentle Into That Goodnight,” Giacchino’s “Letting Go (from Super 8),” Graham’s “The Red Machine,” and Carol Brittin Chambers’ “Fortress”
Inspired by Rachmaninoff’s “Piano Concerto No. 2” and “Symphony No. 2: III,” Stephen Sondheim’s “Send in the Clowns,” Joan Tower’s “Fascinating Ribbons,” and Carol Brittin Chambers’ “Reflection”
Inspired by “I Dreamed a Dream” from “Les Misérables,” Dvorak’s “New World Symphony,” Beethoven’s “Moonlight Sonata,” and Carol Brittin Chambers’ “Dreamscape” [Minimal Licensing]
Inspired by Samuel Barber’s “Medea’s Dance of Vengeance,” Radiohead’s “Everything in its Right Place,” Henry Jackman’s “Between Rage and Serenity,” Michael Jackson’s “Earth Song,” and Carol Brittin Chambers’ “Earth Song”
Inspired by Milhaud’s “La Creation du Monde,” Torke’s Bright Blue Music,” Tchaikovsky’s “Dance of the Jesters,” Byrne’s “From Eden,” Revueltas’ “Sensemaya,” and Carol Brittin Chambers’ “Eden’s Echo”
Inspired by Mahler’s “Symphony No. 2,” Barber’s “Violin Concerto Op. 14, III,” James Horner’s “All Love Can Be,” and Carol Brittin Chambers’ “Elysium”
Inspired by Coldplay's "Midnight," Owen Reed's "La Fiesta Mexicana," and Carol Brittin Chambers’ "enCHANTment”
Inspired by Sia's “Chandelier,” Graham's "The Red Machine," Curiale's "Gates of Gold," and Carol Brittin Chambers’ “Fortress” and "enLIGHTen"
Inspired by Billy Joel's "And So It Goes," Wilby's "A Breathless Alleluia," LePage's "Big City Maze," Bach's "Invention in D Minor," Cohen's "Hallelujah," "Shaker Loops," and Carol Brittin Chambers' "Enso"
Inspired by Thomas Newman's "Spacewalk," Paul Lovatt-Cooper's "Enter the Galaxies," Barber's "Symphony No. 1, Op. 9," Yagisawa's "Hymn to the Sun with the Beat of the Mother Earth," and Carol Brittin Chambers' "Elysium"
Inspired by Tchaikovsky’s “Romeo and Juliet, Fantasy Overture,” Prokofiev’s “Romeo and Juliet,” and Carol Brittin Chambers’ “Eternal”
Inspired by the music of Radiohead
Inspired by Aaron Copland’s “The Promise of Living,” “Grohg Imagines the Dead are Mocking Him,” “Grover’s Corners,” “Symphony for Organ and Orchestra,” and Carol Brittin Chambers’ “E.X.O.”
Inspired by Eric Whitacre’s “October,” Michael Daugherty’s “Niagara Falls,” Fall Out Boy’s “Sugar We’re Going Down,” Vivaldi’s “Autumn,” and Carol Brittin Chambers’ “FALL(s)”
Inspired by Herrmann’s “Cape Fear,” Bartok’s “Mikrokosmos: Ostinato,” Powell’s
“Stoick’s Ship (from How to Train Your Dragon 2),” Bergersen’s “Sun,” and Carol Brittin Chambers’ “Fearless”
Inspired by Borodin’s “Polovetsian Dances,” Stravinsky’s “Firebird Suite,” and Carol Brittin Chambers’ “Fire Within” [No Extra Licensing]
Inspired by Desmond's "Take Five," Metallica's "Nothing Else Matters," Pat Metheny's "Minuano Six Eight," Zimmer's "160 BPM," and Carol Brittin Chambers’ arrangement of “The Planets: Mars”
Inspired by "Seasons of Love (from 'Rent')," Markowski's "Instinctive Travels," "It Was a Very Good Year," David Sampson's "Moving Parts," and original music by Carol Brittin Chambers
Inspired by Peterson's “Promise of Dawn,” McNeely's “Iron Will Main Title,” “Banana Boat Song” and Chambers’ “Flamingo-lypso,” Bergersen’s “Love Suite,” “Swan Lake,” “Firebird Suite,” and Lynrd Skynrd’s “Free Bird"
Inspired by Daft Punk's "Lose Yourself to Dance," "Technologic," "One More Time," Borodin's "Polovtsian Dances," Sullivan's "Pineapple Poll," Grantham's "J'ai Ete Au Bal," Elton John's "Tiny Dancer," "Maniac from Flashdance" and Carol Brittin Chambers’ “Just Dance”
AUDIO COMING SOON
Inspired by “Heroes (from Stranger Things),” Daugherty’s “Bizarro” and “Raise the Roof,”
“It’s Not Easy (from Superman),” “We Don’t Need Another Hero,” and Carol Brittin Chambers “Federation of Evil”
Inspired by Mahler’s “Symphony No. 1, Mvt. 3,” Aaron Guidry’s “Money,” Bartok’s “String Quartet No. 4, Mvt. 5,” Isham’s “Suite from Life as a House,” Prokofiev’s “Suggestion Diabolique,” and Carol Brittin Chamber’s “For the Love of Money”
Inspired by Paul Winter's "Under the Sun," "Aquarela Do Brazil," Lundeberg's "Puma," Metheny's "5, 5, 7," Cohen's "Hallelujah," "Birdland," Barber's "Medea's Dance of Vengeance," and Carol Brittin Chambers’ “Rainforest"
Inspired by Giannini’s “Symphony No. 3: IV,” Malcolm Arnold’s “Four Scottish Dances: II,” Hansard’s “Falling Slowly,” Zimmer’s “160 BPM,” and Carol Brittin Chambers’ “Free Fall”
Inspired by Clint Mansell’s “Lux Aeterna,” Mozart’s “Requiem Mass in D Minor: Confutatis and Lacrimosa,” Eden Ahbez’s “Nature Boy,” Berlioz’s “Symphonie Fantastique,” and Carol Brittin Chambers’ “Conform”
Inspired by Philip Glass' "Primacy of Number," "I Started a Joke," "Destiny of the Chosen," and Carol Brittin Chambers’ “Gameland"
Inspired by Maslanka's "Traveler," Guetta's "The Whisperer," "Go the Distance," and original music by Carol Brittin Chambers
Inspired by Max Richter's “Spring 1,” Torke's “Green,” Gregson-Williams’ “Smiling,” JVKE’s “Golden Hour,” and Carol Brittin Chambers’ “Golden"
Inspired by Ticheli’s “Angels in the Architecture,” David Archuletta’s “Angels,” “Doxology,” “A Mighty Fortress is our God,” and Carol Brittin Chambers’ “Guardian”
Inspired by Bach’s “Toccata and Fugue in D Minor,” plus themes from “The Addams Family,” “Ghostbusters,” and “Thriller”
Inspired by John Mackey’s “Turbine,” Tchaikovsky’s “Swan Lake,” Samuel Barber’s “Medea’s Dance of Vengeance,” and Carol Brittin Chambers’ “Icarus”
Inspired by Strauss’ “Alpine Symphony,” Christina Perri’s “Jar of Hearts,” Prokofiev’s “Alexander Nevsky,” and Carol Brittin Chambers’ “Ice”
Inspired by “Et Ducit Mundum per Luce,” “Somewhere Out There,” Michael Daugherty’s “Red Cape Tango,” Berlioz’s “Symphonie Fantastique,” Kari Jobe’s “Revelation Song,” and Carol Brittin Chambers’ “Out of the Box”
Inspired by "Pure Imagination," Owl City's "Fireflies," Shostakovich's "Piano Concerto No. 2," "A Million Dreams," and Carol Brittin Chambers' "Imagine"
Inspired by Karl Jenkins’ “Mare Crisium Introitus,” “Lacus Serenitatis,” and “In Caelum Fero”
Inspired by Joseph Curiale’s “Joy,” John Barry’s “Somewhere in Time,” Mark Patterson’s “Shouting, Whispering Sea,” and Carol Brittin Chambers’ “Immortal”
Inspired by Michael Gordon's "Gene Takes a Drink," Daugherty's "Reflections on the Mississippi," Andy Akiho's "No one To kNOW one," Bon Iver's "715-Creeks," John Mackey's "Kingfishers Catch Fire," and Carol Brittin Chambers’ “Inversion”
Inspired by Nina Simone's "Feeling Good," Saint-Saens' "Danse Macabre," Shostakovich's "Symphony No. 10," Radiohead's "Creep," Nat King Cole's "Smile," and Carol Brittin Chambers' "Jekyll and Hyde"
Inspired by "Giacchino's "Inside Out: Joy of Credits," Holst's "Planets: Jupiter," Borodin's "Polovtsian Dances," Paul Halley's "Appalachian Morning," The Turtles' "Happy Together," Lou Reed's "Vanishing Act," "Let the Sunshine In," and Carol Brittin Chambers' "Joy"
Inspired by Shostakovich's "Ballet Suite No. 4," "Piano Concerto No. 2," and "Op. 131, October," Pink Floyd's "Another Brick in the Wall," and Carol Brittin Chambers' "Just Another Brick"
Inspired by James Horner’s “Beautiful Mind,” J.S. Bach’s “Little Fugue in G Minor,” John Adams’ “Chairman Dances,” ELP’s “Piano Concerto No. 1,” and Carol Brittin Chambers’ “Legacy”
Inspired by Tarja’s “Oasis,” Nickel Creek’s “The Lighthouse’s Tale,” and Carol Brittin Chambers’ “Sea Keeper”
Inspired by the music of Percy Grainger and Carol Brittin Chambers [Minimal Licensing]
Inspired by Husa’s “Music for Prague,” Nelhybel’s “Symphonic Movement” and “Trittico,” and Carol Brittin Chambers’ “Lost”
Past Shows M-Z
Inspired by Samuel Barber’s “Symphony No. 1,” Richard Sauceda’s “Premonition,” and Bolcom’s “Symphony No. 5: IV. Machine”
Inspired by Sullivan’s “Pineapple Poll,” “Saint-Saens’ “Danse Bacchanale” and “Danse Macabre,” Holsinger’s “Liturgical Dances,” and Carol Brittin Chambers’ “Masquerade”
Inspired by Horner’s “A Kaleidoscope of Mathematics,” Verdi’s “Requiem,”
Mozart’s “Requiem Mass in D Minor,” Bernstein’s “Mass” and “Simple Song,” and original music by Carol Brittin Chambers
Inspired by "Paint it Black," Beethoven's "Symphony No. 7," Heart's "Alone," and Carol Brittin Chambers' "Maverick"
Inspired by Hindemith's "Symphony in Bb" and "Symphonic Metamorphosis," "Writing's on the Wall" (from 'James Bond: Spectre'), Shostakovich's "Festive Overture," and Carol Brittin Chambers' "METALmorphosis"
Inspired by Paul Hindemith’s “Symphonic Metamorphosis,” Philip Glass’ “Metamorphosis 5,” Muse’s “Butterflies and Hurricanes,” and Carol Brittin Chambers’ “Transformation”
Inspired by Debussy's "Clair de Lune" and "Fetes," Lamb's "Angelica," Tchaikovsky's "Waltz from Sleeping Beauty," "Une Very Stylish Fille," "Lambert's "Dance for the Followers of Leo," and Carol Brittin Chambers' "Relative Reality"
Inspired by Bartok’s “String Quartet No. 4: V,” Nelson’s “Sonoran Desert Holiday,” Kamen’s “The New Moon in the Old Moon’s Arms: V,” and Carol Brittin Chambers, “Mood Ring”
Inspired by Carol Brittin Chambers’ “Ice Crystal,” Philip Glass’ “Opening, Mishima,” Danny Elfman’s “Charlie and the Chocolate Factory,” and Benoit Jutras’ “Quidam: Steel Dream”
Inspired by William Walton’s “Belshazzar’s Feast,” “I Will Survive,”
“Danse Bacchanale,” The Bee-Gee’s “You Should Be Dancing,” Donna Summer’s “Last Dance,” and Carol Brittin Chambers’ “Decadence”
Inspired by Jackie Dempsey’s “Squonk Opera” – “Caught,” “Dance of the Seven Vowels,” “Tines,” and “What Stirs,” and Carol Brittin Chambers’ “ExzentrieK”
Inspired by The Staves' “All My Life,” from Hook: "Prologue” and “The Lost Boy Chase,” Patti Griffin’s “Peter Pan,” Metallica’s “Enter Sandman,” “Second Star to the Right,” and Carol Brittin Chambers’ “Neverland"
Inspired by Dvorak’s “New World Symphony,” Bjork’s “New World,” and Carol Brittin Chambers’ “Venture” [Minimal Licensing]
Inspired by Dvorak’s “New World Symphony” and Carol Brittin Chambers’ “Endeavor” [No Extra Licensing]
Inspired by Curiale's "Gates of Gold," John Mackey's "The Night Garden," Debussy's "Fetes," and Carol Brittin Chambers' "Morning Light"
Inspired by Tchaikovsky’s “Dance of the Jesters,” Strauss’ “Till Eulenspiegel,” Dukas’ “Sorcerer’s Apprentice,” Holsinger’s “On a Hymnsong of Philip Bliss,” and Carol Brittin Chambers’ “No Words” [Minimal Licensing]
Inspired by Bernard Herrmann's "Taxi Driver," Bill Reddie's "Channel One Suite," Gordon Goodwin's "Hunting Wabbits," Hazlewood's "These Boots are Made for Walkin," Seal's "Kiss from a Rose," and Carol Brittin Chambers' "Noir"
Inspired by Prokofiev's "Scythian Suite," Goldenthal's "Adagio and Transfiguration," Beethoven's "Moonlight Sonata," Debussy's "Claire de Lune," Saint-Saens' "Danse Macabre," and Carol Brittin Chambers' "Nocturnal Creatures"
Inspired by "Julia's Theme," Satie's "Gymnopedie No. 1," Carly Simon's "Anticipation," and Carol Brittin Chambers’ arrangement of “Danse Diabolique" and "William Tell Overture”
Inspired by Philip Glass' "Serra Pelada," Nelhybel's "Symphonic Movement," Marsalis' "All Aboard," Duke Ellington's "Happy Go Lucky Local," Long Time Traveller," Strayhorn's "Take the A Train," and Carol Brittin Chambers' "Tracks"
Inspired by "Peace on Earth," Chaminade's "Concertino for Flute, Op. 107," Mozart's "Eine Kleine Nachtmusik," Hummel's "Trumpet Concerto in Eb," and Carol Brittin Chambers’ “One of Many” [Minimal Licensing]
Inspired by Maslanka’s “Traveler,” Depeche Mode’s “Enjoy the Silence,”
Dave Hall’s “The Doors,” “Break On Through (To the Other Side),” and Carol Brittin Chambers’ “Opportunity Knocks”
Inspired by Beethoven's "Piano Sonata No. 8 (Pathetique)," Billy Joel's "Angry Young Man," "She's Always a Woman," and "Big Man on Mulberry Street," Ben Folds' "Zak and Sara," Poulenc's "Concerto in D Minor," Smith's "Dueling Banjos," Rachmaninoff's "Piano Concerto No. 3 in D Minor" and "Symphonic Dances," Elton John's "Your Song," and original music by Carol Brittin Chambers
AUDIO COMING SOON
LINK to Claudia Taylor Johnson HS -Grand Nat'ls
Inspired by Benoit Jutras’ “O” and “La Nouba,” and Carol Brittin Chambers’ “Out of the Box”
Inspired by Holst's "The Planets," "What a Wonderful World," Hans Zimmer's "Time (from Inception)," Elton John's "Rocket Man," and Carol Brittin Chambers' "Out There"
Inspired by Borodin’s “Polovtsian Dances,” Samuel Barber’s “Concerto for Violin and Orchestra, Op. 14,” and “Overture to School for Scandal,” Coldplay’s “Paradise,” Evanescence’s “Lost in Paradise,” and Carol Brittin Chambers’ “Paradise Lost”
Inspired by Edward Elgar’s “Nimrod” from “Enigma Variations,” Richard Sauceda’s “Windsprints,” and Dmitri Shostakovich’s “Symphony No. 10”
Inspired by Imogen Heap’s “Aha!,” Beethoven’s “Moonlight Sonata,” Francesco Sartori’s “Time to Say Goodbye,” Bizet’s “Farandole,” and Carol Brittin Chambers’ “Press Play”
Inspired by “Les Miserables” and Carol Brittin Chambers’ “Promise”
Inspired by Beethoven’s “Symphony No. 9,” Joseph Curiale’s “Joy” from “Awakening,” Pachelbel’s “Canon,” and Carol Brittin Chambers’ “Celebration” [Minimal Licensing]
Inspired by selections fro Michael Giacchino’s “Speed Racer,” and Carol Brittin Chambers’ “The Race”
Inspired by “Gonna Fly Now (Theme from Rocky),” Rachmaninoff’s
“Prelude in G Minor, Op. 23, No. 5” and “Rhapsody on a Theme of Paganini, Op. 43,”
Ron Nelson’s “Rocky Point Holiday,” and Carol Brittin Chambers’ “Rachy”
Inspired by René Dupérés ”Storm” from “Kà,” Gordon Goodwin’s “Hunting Wabbits,” Eric Whitacre’s “Water Night,” John Mackey’s “Asphalt Cocktail,” and Israel Kamakawiwo’ole’s “Somewhere Over the Rainbow”
Inspired by "Somewhere Over the Rainbow," James Newton Howard's "Maleficent is Captured," Kelly and Steinberg's "True Colors," and Carol Brittin Chambers’ “God Put a Rainbow in the Clouds”
Inspired by Gliere's "Phoenix," "Heroic Coolie Dance," and "Russian Sailor's Dance (from 'The Red Poppy'), Delibes' "Lakme: Flower Duet," and Carol Brittin Chambers' "Red"
Inspired by Debussy’s “Clair de Lune” and “Fetes,” “Once Upon a Dream” from “Sleeping Beauty,” Markowski’s “Instinctive Travels,” and Carol Brittin Chambers’ “Relative Reality”
Inspired by “Benjamin Britten’s “Young Person’s Guide to the Orchestra,” Phillip Phillip’s “Gone, Gone, Gone,” Grantham’s “Southern Harmony: I,” Copland’s “Our Town,” and Carol Brittin Chambers’ “Remembrance”
Inspired by Giacchino’s “Tomorrowland: End Credits,” Barbera’s “The Jetsons,”
Elton John’s “Rocket Man,” "Que Sera, Sera,” and Carol Brittin Chambers’ “Retrofusion"
Inspired by Richard Wagner’s “Elsa’s Procession to the Cathedral,” David Gillingham’s “Stained Glass,” J.S. Bach’s “Sheep May Safely Graze,” and Chambers’ “R!NG” [Minimal Licensing]
Inspired by Grieg's "In the Hall of the Mountain King," Howard's "Hand of Fate - Part 1," Armstrong's "PM's Love Theme," and Carol Brittin Chambers' "Ascend" and "Escape"
Inspired by Stravinsky’s “Rite of Spring,” Imogen Heap’s “Cumulus,” Jonsi’s “We Bought a Zoo,” and Carol Brittin Chambers’ “Ritual”
Inspired by Napier and Smith's "Writing's on the Wall," Zimmer's "160 BPM," and Carol Brittin Chambers’ “Rogue” and "Capture and Escape"
Inspired by "If I Were a Rich Man," "Chim Chim Cheree," "Step in Time," Dvorak's "Slavonic Dances No. 2, Op. 72," Giacchino's "Escape from Muntz Mountain," and Carol Brittin Chamber's "On the Rooftop"
Inspired by Lennon and McCartney’s “With a Little Help from my Friends,” Whitacre’s “Noisy Wheels of Joy,” Newman’s “When She Loved Me,” Goodwins’ “Hunting Wabbits,” Patterson’s “Everything is Awesome,” and Carol Brittin Chambers’ “Scenes from the Playground”
Inspired by Richter's "The Four Seasons: Spring 1," Grainger's "Lincolnshire Posy," "O Waly, Waly," "Eternal Father, Strong to Save," Halley's "Tomorrow is My Dancing Day," Copland's "Appalachian Spring," "America the Beautiful," and Carol Brittin Chamber's "Sea of Love" AUDIO COMING SOON
Inspired by The Weeknd's “Nothing is Lost,” Debussy’s “La Mer,” “Aquarium (from Carnival of the Animals),” Timberlake’s “Blue Ocean Floor,” Silvestri’s “Bud on the Ledge,” and Carol Brittin Chambers’ “Seascapes"
Inspired by Bergersen's "El Dorado," Elvis Costello's "Puck One," "Ojos de Brujo - Zambra," and Carol Brittin Chambers’ "Sense of Direction"
Inspired by Mozart's "Requiem in D Minor - Dies Irae and Confutatis," Gabriel's "Oboe," Verdi's "Requiem," and Carol Brittin Chambers' "Seraphim"
Inspired by Rachmaninoff's "Morceaux de Fantasie," Berlioz's "Symphonie Fantastique," Grainger's "Children's March," Massenet's "Thais Meditation," Saint-Saens' "Danse Macabre," Copland's "Symphony for Organ and Orchestra," and Carol Brittin Chambers' "Shining" [Minimal Licensing]
Inspired by Elgar’s “Enigma Variations,” M83’s “Midnight City,” Peter Gabriel’s “In Your Eyes,” and Carol Brittin Chambers’ “Sight Unseen”
Inspired by Carol Brittin Chambers’ “Slide” [No Extra Licensing]
Inspired by Andrea Bocelli’s “Sogno,” Respighi’s “Pines of Rome,” Rossini’s “The Italian Girl in Algiers,” Puccini’s “Nessun Dorma,” and Carol Brittin Chambers’ “Night in Italy”
Inspired by Grainger’s “Lord Melbourne,” Moren’s “Dreams,” Vienna Teng’s “Hymn of Acxiom,” and Carol Brittin Chambers’ “Spotlight”
Inspired by Stravinsky’s “Rite of Spring,” Copland’s “Appalachian Spring,” Vivaldi’s “Spring,” and Carol Brittin Chambers’ “Spring”
Inspired by David Bowie’s “Life on Mars,” “Space Oddity,” “Blackstar,” and “Changes,” Holst’s “The Planets,” Glass’ “Symphony No. 4," and Carol Brittin Chambers’ “Stardust"
Inspired by Philip Glass’ “1000 Airplanes on the Roof,” Owl City’s “Meteor Shower,” and Carol Brittin Chambers’ “Starlight”
Inspired by Zimmer's “Interstellar,” Bowie’s “Space Oddity,” Mancini’s “Moon River,” Eshkeri’s “Septimus,” “Surfin’ USA,” “Rocket Man,” and Carol Brittin Chambers’ “Starsurfer"
Inspired by John Gibson’s “Resting in the Peace of His Hands,” John Mackey’s “Kingfishers Catch Fire,” “Hand of Fate” from “Signs,” and Carol Brittin Chambers’ “Storm”
Inspired by Torke's “Bright Blue,” Prokofiev's "Symphony No. 5," Sara Bareilles' "Winter Song," Strauss' "Ein Heldenleben," and Carol Brittin Chambers’ “The Summit”
Inspired by Ticheli's "Vesuvius," Paul Simon's "The Sound of Silence," Stevie Wonder's "Superstition," John Adams' "Harmonium," and Carol Brittin Chambers’ “Superstition”
Inspired by Tchaikovsky’s “Romeo and Juliet Overture-Fantasia,” “Symphony No. 2,” “Symphony No. 4,” “Swan Lake,” “The Tempest,” “Symphony No. 5,” and Carol Brittin Chambers’ “Tempest” [No Extra Licensing]
Inspired by Greenaway’s “Reflections of Earth,” Mancina’s “August Rush,” and Carol Brittin Chambers’ “Terre Sacrée”
Inspired by Shostakovich's "Ballet Suite No. 4," Philip Glass' "1,000 Airplanes on the Roof," Horner's "All Love Can Be," and Carol Brittin Chambers’ arrangement of "Old Hundredth"
Inspired by Thank You Scientist's "A Wolf in Cheap Clothing," Kimberly Archer's "Symphony No. 3, Mvt. 1," "I See Fire (from 'The Hobbit: The Desolation of Smaug')," Muse's "Unsustainable," and Carol Brittin Chamber's "Thermodynamic"
Inspired by Dvorak's "New World Symphony," Daugherty's "Red Cape Tango," Daft Punk's "Adagio for Tron," Michael Daugherty's "Bizarro," and Carol Brittin Chambers’ “3-D”
Inspired by Sartori's "Time to Say Goodbye," John Adams' "Fearful Symmetries," "I've Had the Time of My Life," Hans Zimmer's "160 BPM," and Carol Brittin Chambers' "Time"
AUDIO COMING SOON
Inspired by Julie Giroux’s “To Walk With Wings,” Howard Blake’s “Walking in the Air,” and Karl Jenkins’ “Math Was a Wizard”
Inspired by Richard Danielpour’s “Urban Dances,” Bjork’s “New World” from “Selmasongs,” and Carol Brittin Chambers’ “Train f(X)”
Inspired by Philip Glass' "Primacy of Number," Bjork's "Overture (from Dancer in the Dark)," Giacchino's "Enterprising Young Men," and Carol Brittin Chambers’ “Train of Thought”
Inspired by Prokofiev’s “Scythian Suite” and “Peter & the Wolf,” Saint-Saens’ “Danse Macabre,” Evanescence’s “My Immortal,” and Carol Brittin Chambers’ “Instinct”
Inspired by Peter Gabriel’s “My Body is a Cage,” Philip Glass’ “1,000 Airplanes on the Roof,” Christina Perri’s “Human,” and Carol Brittin Chambers’ “Escape”
Inspired by "Criss Angel: Believe," Sondheim's "Send in the Clowns," "Finale from Mr. Magorium's Wonder Emporium," and Carol Brittin Chambers’ arrangement of Tchaikovsky's "Dance of the Jesters"
Inspired by Ravel’s “Bolero,” “Daphnis et Chloe,” and “Pavane pour une Infante Defunte,” Bjork’s “Unravel,” Rimsky-Korsakov’s “Capriccio Espagnol,” Chance’s “Symphony No. 2,” and Carol Brittin Chambers’ “unRAVELed”
Inspired by Ravel's “Bolero,” Hindemith’s “Symphonic Metamorphoses II: Turandot,” Muse’s “Hoodoo,” Piazzolla’s “Libertango,” Marquez’s “Danzon No. 2,” and Carol Brittin Chambers’ “UnRAVELing"
Inspired by Coldplay’s “Clocks,” “Fix You,” and “Viva la Vida”
Inspired by Yppah’s “Never Mess with Sunday,” Copland’s “Hear Ye, Hear Ye,” Patrick Cassidy’s “Vide Cor Meum,” Pat Metheny’s “The Way Up,” Paul Hart’s “Remembrance,” and Carol Brittin Chambers’ “Forward Drive”
Inspired by Danny Elfman's “Wednesday Main Titles” and “Frolic (from Rabbitt and Rogue),” Rolling Stone’s “Paint it Black,” and Lippa’s “Tango De Amor” and “Move Toward the Darkness"
Inspired by Stephen Sondheim’s “Sunday in the Park with George,” Michael Torke’s “Green,” Beethoven’s “Symphony No. 5,” and Carol Brittin Chambers’ “What is ART?”
Inspired by Markowski's "Dreamland," "Shadowplay" from Cirque Du Soleil's "KA," Schwantner's "In Evening's Stillness," and Carol Brittin Chambers’ “Where Shadows Play”
Inspired by Stravinsky's "Firebird Suite," "Arrival of the Birds," "Feed the Birds," Beethoven's "Ode to Joy," and Carol Brittin Chambers' "The White Dove"
Inspired by Jefferson Airplane’s “White Rabbit,” Hindemith’s “Symphony in B Flat Major,” Holst’s “First Suite in E Flat” and “Second Suite in F,” Berlioz’s “Symphonie Fantastiique,” and Carol Brittin Chambers’ “White Rabbit”
Inspired by Berlioz’s “Symphonie Fantastique,” Stephen Schwartz’ “Defying Gravity” from “Wicked,” Benoit Jutras’ “La Nouba,” “Somewhere Over the Rainbow,” Brahms’ “Lullaby,” and Carol Brittin Chambers’ “Wicked”
Inspired by Armstrong’s “One Day I’ll Fly Away,” Crawford’s “Off We Go into the Wild Blue Yonder,” Barber’s “Adagio for Strings,” and Carol Brittin Chambers’ “Jumpstart” and “Flight”
Inspired by Mendelssohn's "A Midsummer Night's Dream," Moren's "Dreams," Queen's "Bicycle Race," Son Lux's "Dream State," Eurythmics' "Sweet Dreams," John Adams' "Wild Nights from 'Harmonium'," and Carol Brittin Chambers' "Wildest Dreams"
Inspired by Yagisawa’s “Hymn to the Sun with the Beat of the Mother Earth,” Smith’s “Inferno,” Shostakovich’s “Fire of Eternal Glory,” Bergersen’s “Archangel,” Stravinsky’s “Firebird,” and Chambers’ “Wildfire”
Inspired by the “Life as a House” Soundtrack, Imogen Heap’s “The Moment I Said It,” Samuel Barber’s Symphonies No. 1 & 2, and Carol Brittin Chambers’ “Aware”
